Dub the wholecatalogue.Not just the hits.
End-to-end localisation: transcription, cultural adaptation, voice cloning that keeps the original performer, lip-sync and final mix. Five to a hundred dollars a finished minute — against a thousand and six weeks in a traditional studio.
A waveform of an English performance being re-voiced into sw, hi, yo, pt-br, ta, ha, id, am.
Built for the people who own the library
A thousand dollars a minute is why your catalogue only speaks one language.
Traditional dubbing runs into thousands per finished minute and takes weeks of studio time, so only the top of the library ever gets localised. Everything behind it stays stranded.
Subtitles don't rescue it. In markets with low reading rates or a strong dubbing preference, a subtitled title has already lost most of the audience before the first scene ends.
Cost per finished minute, drawn to the same scale. Turnaround falls from six weeks to hours on the same axis.
One pipeline, source to master.
Five stages, one system. No vendor handoffs, no re-conform, no waiting on a studio calendar. Every stage writes to the same timeline, so a change in the script lands in the mix.
How each stage works- 01
Transcribe
Word-level transcript with speaker turns, timecode and emotion tags.
- Speaker-tagged transcript
- Frame-accurate timecode
- Isolated M&E stem
- 02
Adapt
human in the loopCultural adaptation, not literal translation. Register, idiom, humour, names.
- Adapted script
- Idiom and honorific map
- Duration-fitted lines
- 03
Voice
The original performer's voice, carried across the language barrier.
- Cloned voice model
- Per-line performance takes
- Talent consent record
- 04
Sync
Phoneme-aware alignment, with optional visual lip-sync on the plate.
- Aligned dialogue track
- Optional visual lip-sync
- Conform report
- 05
Mix
human in the loopDialogue seated back into the original M&E, delivered to broadcast spec.
- 5.1 and stereo masters
- Dialogue / M&E stems
- IMF or broadcast package
Translation gets the words. Adaptation gets the joke.
Every line is rewritten for the territory and then fitted back into the time the shot allows. Here is what that costs a sentence.
Source · English
He's been burning the candle at both ends.
Literal translation
वह दोनों सिरों से मोमबत्ती जला रहा है।
The idiom doesn't exist. It reads as a man setting fire to a candle.
Adapted · Hindi
वह दिन-रात एक किए हुए है।
“He has made day and night into one.”
A standing Hindi idiom for working yourself into the ground. Same exhaustion, same beat.
fits shot · 2.41s → 2.36s
The performance crosses the border. Not just the script.
- Timbre, breath and attack are carried, not imitated
- The voice model is built from the source performance itself, so the actor who sold the scene in English is the one selling it in Tamil.
- Adaptation rewrites meaning, not words
- Register, idiom, honorifics and humour are rebuilt for the territory — under a duration constraint, so the new line still fits the shot it has to fit.
- No voice is built without consent on file
- Every clone requires a recorded likeness grant from the performer or the rights holder, stored against the title and auditable per delivery.
The markets the majors skipped.
African and South Asian audiences are large, online and growing fast — and almost none of the catalogue is dubbed for them, because studio economics never worked at that scale. Roughly 5.2 billion speakers sit behind the languages we already run.
30 live today · the rest in training or queued. Ask for a pair we don't list and we'll quote the build.
Priced per finished minute. Not per studio day.
One axis: how much human judgement the title deserves. Everything else — languages, formats, delivery specs — is included at every tier.
Volume
Back-catalogue, UGC libraries, e-learning at scale
$5per finished minute
Catalogue depth. Machine-graded, spot-checked, priced to make long tails viable.
- Transcription, adaptation and cloned voice
- Audio-first sync
- Stereo master + dialogue stem
- Automated QC with confidence scoring
- 72-hour turnaround
Broadcast
Streamers, broadcasters, corporate training
$28per finished minute
The working tier. Human linguists on the script, an engineer on the mix.
- Everything in Volume
- Native linguist review on every line
- Emotion and register matching
- 5.1 mix to territory loudness spec
- Glossary, style guide and name lock
- 24-hour turnaround
Premium
Originals, theatrical, flagship titles
$100per finished minute
Talent-grade. Visual lip-sync, directed takes, and a named supervisor per title.
- Everything in Broadcast
- Visual lip-sync on the plate
- Directed performance passes
- Named dubbing supervisor per title
- Rights and likeness clearance workflow
- IMF delivery to platform spec
Volume commitments and per-title rate cards available above 500 finished minutes. Rush turnaround quoted separately.
Send us one episode.
We'll dub it into two languages of your choosing and send back the master, the stems and the conform report. If it isn't broadcast-ready, you owe us nothing.